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Program 2016


The Re-Assignment of Sound in Story Telling.

Aaron Glascock (Warner Bros. Studios)

The breakdown and understanding of story telling in Film Sound with an emphasis on Sound Design Signatures, in the context of the work process. Presentation clips to include “Insomnia”, “Good Night and Good Luck”, “Spring Breakers”, “Birdman”, and “Anomalisa”.

Aaron Glascock

Aaron Glascock, Supervising Sound Editor/Sound Designer and Re-recording Mixer, Warner Bros. Studios

I have been working as a Supervising Sound Editor/Sound Designer and Re-recording Mixer for 11 years at Warner Bros. Studios. My work in the Motion Picture Sound industry continues for over 35 years.

Experience: In 1984 I was enlisted to organize the Weddington Productions Sound Effects Library for Mark Mangini, Richard Anderson and Stephen Flick. This job began my journey which included the experiences of Sound Effects Recording, Assistant Sound Editing, Dialogue and
Effects Editing, Supervising Sound Editing and Re-recording Mixing. My work has been nominated by the Motion Picture Sound Editors for “Good Night and Good Luck”, “Anomalisa”, and “Birdman”, which was also nominated for an Oscar.

FMX is funded by the Ministry of Science, Research and Arts and the Ministry of Economic Affairs, Labour and Housing of the State of Baden-Wuerttemberg, the City of Stuttgart and MFG Baden-Wuerttemberg, taking place in cooperation with the VES Visual Effects Society and ACM SIGGRAPH. FMX is an event by the Filmakademie Baden-Wuerttemberg, organized by Animationsinstitut, hosting the Animation Production Days (APD), a joint venture with the Stuttgart International Festival of Animated Film (ITFS).

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