Conference The Road Ahead The Road Ahead
ONLINE ONLINE 2 Friday, May 08, 10:00

AI: Artist Intelligence

Video on demand

AI has expanded rapidly, and with it, new tools to solve for mundane workloads, allowing artists to create better stories.

In this talk, Kimball Thurston will explore some of the issues around AI, and how we are attempting to provide artist-centric tools that improve the ability to deliver movies. Beyond image generation, Kimball will also touch on how Wētā FX is attempting to solve pipeline issues appearing around provenance and version management to get precise artist control of images with the quality demanded by cinema.

Kimball Thurston, CTO, Wētā FX

As Wētā FX's Chief Technology Officer, Kimball leads the strategy around future technology for VFX production, overseeing the complex web of user facing tools, new research and the render software which fuels the ever-evolving VFX pipeline. His focus is on building an integrated and flexible system that has the capability to expand the volume and variety of projects that the company can work on, while retaining and enhancing the stunning visuals Wētā FX is famous for.   Kimball brings 25 years of VFX experience to Wētā FX, having originally joined the company in 2017 in a role that focused on our proprietary rendering software, Manuka. He then transitioned into a role that was focused on Gazebo. As a technology leader, he then moved to Head of Department of Engineering, and then Head of Architecture before taking this appointment.   Prior to Wētā, Kimball’s career in media and entertainment took him to Dolby Laboratories, Lowry Digital, Dreamworks Animation, Apple and Silicon Grail. Although there are many career highlights, his time at Lowry Digital was particularly special as he received the Academy Scientific & Engineering Award in 2012 for the creation of a toolset to reduce noise and other artifacts in images for the filmmaking process. He won again in 2025.    Kimball has also worked on preserving numerous landmark films and repairing current film issues, as well as personally rewarding non-movie projects like working on the Apollo 11 moon landing footage.