Conference Rhythm of Change Rhythm of Change
ONLINE Meidinger-Saal Friday, May 09, 15:45

AI and its Impact on Creatives

This session will explore the impact of AI on creative jobs including supervisors, producers and artists as well as students.

Sebastian Sylwan

Sebastian Sylwan, Technology Executive

Carolyn Giardina, Senior Entertainment Technology & Crafts Editor, Variety

Carolyn Giardina is senior entertainment technology and crafts editor at Variety, which she joined in 2024, following more than 15 years at The Hollywood Reporter. She has also worked on titles including SHOOT, Cinema Editor, The IBC Daily and SMPTE Motion Imaging Journal.

Her commitment to education includes serving as a lecturer at Chapman University’s Dodge College of Film & Media Arts. She also co-authored a book about stereoscopic 3D filmmaking, titled “Exploring 3D” (Focal Press, 2013).

Carolyn has been honored with American Cinema Editors’ Robert Wise Award for journalistic contributions to film editing; the International Cinematographers Guild’s Technicolor William A. Fraker Award for journalistic contributions to cinematography; the Women in Technology Hollywood Leadership Award; and the Advanced Imaging Society’s Distinguished Leadership Lumiere Award.

Carolyn has long been an active member of the community. That includes nearly two decades on the HPA Board of Directors, during which time she co-founded and was founding chair of the HPA Awards.

Kevin Baillie, Head of Creative, Eyeline Studios powered by Netflix

Kevin Baillie began his VFX career at 18 as a previsualization artist on Star Wars: Episode I. Over the next 27 years, he has left a lasting impact on the industry, supervising groundbreaking work at The Orphanage (Pirates of the Caribbean: At World’s End, Superman Returns, Harry Potter and the Goblet of Fire) and ImageMovers Digital.

In 2010, Kevin co-founded Atomic Fiction, a trailblazing VFX studio behind The Walk, Top Gun: Maverick, and Flight. He has also supervised VFX on Star Trek, Transformers, Welcome to Marwen, The Witches, and Pinocchio, collaborating extensively with director Robert Zemeckis.

Most recently, Kevin served as VFX Supervisor and 2nd Unit Director on Here (2024), pioneering real-time AI-driven workflows for de-aging and digital environments.

Now, as Head of Creative at Netflix’s Eyeline Studios, he continues pushing the boundaries of technology to tell stories that would otherwise be untellable.

Beyond VFX, Kevin founded Conductor Technologies, a cloud rendering company acquired by CoreWeave in 2023. He is a member of the DGA, VES, and AMPAS, where he has served on the VFX Executive Committee multiple times.