In today's rapidly changing work environment, many of us are identifying gaps and seeing opportunities to rethink structures.
This panel will explore the necessity of upskilling to remain nimble in the changing markets, emphasize the importance of thinking outside the box and expanding our perspectives.
From the need for cross-departmental understanding and involvement, to fostering transparent and honest communication, and keeping curiosity alive.
Join us as we have a candid conversation about where we’re at and where we’re headed in this dynamic landscape.
Christina works as General Manager at TRIXTER. TRIXTER is one of the leading VFX studios in Europe. With her team, Christina works primarily for international clients, as well as large scale streaming vendors. In her position, Christina is responsible for the day-to-day business across all ongoing and potential new productions from acquisition to final delivery. As technology in the film and especially post-production industry continues to evolve at an ever increasing speed, and audience watching habits change as well, the use of the most current technology is absolutely essential in order to be at the highest industry standard not only budget-wise but creatively as well. At TRIXTER, Christina and her team are evaluating these latest technologies and their tailored application to each project.
Before coming back to TRIXTER, Christina was Managing Director at Dark Bay – Europe’s largest virtual production stage. In this role, she oversaw the daily productions and supported and consulted shows from the scriptwriting process to the final image in all virtual production-related topics. The volume, one of the world’s largest LED-installations, was used, among others, for the filming of the Netflix series “1899”.
With a background in VFX and XR, she previously also worked on movies like “The Marvels”, “I am Groot, “Family Plan”, “Shang-Chi and the Legend of the Ten Rings”, “Black Widow”, “Loki Season 1 +2” and “Foundation S:2”, just to name a few.
In addition to her work at TRIXTER, Christina is co-founder of IIM (Institute of Immersive Media), an NGO that brings together the creative and technical departments of film shooting, pre- and post-production in workshops and at film festivals.
Heike is a VFX Supervisor with over 10 years of experience in the visual effects industry.
Throughout her career, she has worked as an experienced compositor and team leader, contributing to major productions for renowned studios such as RodeoFX, ILP, Cinesite and more. Her work has contributed to a number of award-winning shows like Game of Thrones, Stranger Things, The Boys, and many others.
In her current role as a VFX Supervisor on production site, Heike focuses on bridging the gap between film production and VFX Vendors, with a particular emphasis on the DACH region.
Esther Trilsch is a Senior Character TD at SideFX. She started her career as a character TD apprentice at Walt Disney Animation Studios working on Zootopia, and worked at RiseFX as a Character Supervisor and Pipeline TD. Combining her focus for both the creative side of anatomy and deformation, as well as the technical side of RnD, she found her sweet spot in the building of innovative structures and tools for character workflows.
As Executive Director, Nancy is a key member of the Visual Effects Society's leadership team, supporting nearly 5,000 members in 40+ countries. VES is dedicated to advancing and promoting visual effects and empowering the global honorary society's membership through professional education, enriching benefits, fostering community and industry recognition. Previously serving as the VES Program and Development Director, Nancy oversaw direct fundraising, partnerships, alliances and new programs.
Prior to joining VES, Nancy spent more than a decade in advertising, direct marketing and business development for publicly traded and nonprofit organizations.