Press Releases

Press Release #1: Immersion and Virtual Realities Would you like to receive copies of our latest press releases? We will be happy to add you to our press mailing list. Please send an email to:

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Press Release #2: Academy Award winners Interstellar and Big Hero 6 plus Finding Dory

Ludwigsburg, February 23, 2015.  FMX is proud to announce the addition of two brand-new Academy Award winners to its 2015 program: VFX stunner Interstellar and animation delight Big Hero 6. Both films are being discussed as part of the Lighting & Rendering track, a recurring series of presentations that counts among the most relevant and successful components of every FMX program. The list of talks also encompasses Academy Award nominee Dawn of the Planet of the Apes. Pre-production in Europe becomes the center of attention with the "Animation: The European Scene" track that assembles, among others, Song of the Sea which also competed for an Academy Award in the Best Animated Feature Film category. The animated short A Single Life is yet another Academy Award nominee that joins the acclaimed film crowd as part of a dedicated MAXON Workshop. Confirmed presentations furthermore spotlight insights into rendering aspects of the highly anticipated Finding Nemo sequel Finding Dory that is set to be released in June 2016, more than a year from now. In addition, the Transmedia sector is growing with a dedicated focus on the Virtual Humans Forum.

Academy Award winners Interstellar and Big Hero 6 join the Lighting & Rendering track

Long-time FMX Program Board member Christophe Hery (Senior Researcher at Pixar Animation Studios) returns with his Lighting & Rendering presentations that illuminate the trend for custom renderers in production this time, assembling illustrious experts, two of whom won an Academy Award at yesterday's ceremony: Interstellar that was honored for Best Visual Effects and Big Hero 6 that received the trophy as Best Animated Feature Film. To kick it off, there's Oliver James (Chief Scientist at Double Negative) who explores Christopher Nolan's recent awe-inspiring science fiction narrative Interstellar detailing the creation of wormholes using the company's relativistic ray-tracer. In addition, Luca Fascione (Head of Rendering Research at Weta Digital) describes how Weta Digital's physically-based production renderer Manuka was used in a number of key shots on the recent Academy-Award nominated Dawn of the Planet of the Apes and as the full production renderer on the last Hobbit installment.

Brent Burley (Principal Software Engineer at Walt Disney Animation Studios) speaks about the new Disney renderer Hyperion which was used for the first time in Don Hall's and Chris Williams' Big Hero 6 that won an Academy Award as Best Animated Feature Film, beating four other international nominees. From acclaimed to yet unseen: Christophe Hery fills the audience in on a new path trace approach for the much-awaited Finding Nemo sequel Finding Dory that is set to be released in June 2016, more than a year from now. Moreover, Craig Welsh (Lighting Supervisor at Animal Logic) showcases the renderer that was put together for the 2014 hit Lego Movie. His talk is complemented by Prof. Philipp Slusallek (Saarland University) who sheds light in on his team's work on the development of a real-time ray tracer in an easily reusable and portable form as part of the EU-funded project Dreamspace.

European Animation from Academy Award nominated Song of the Sea to Shaun the Sheep

The European Animation industry has grown in size and relevance over the last years, turning out critically acclaimed films from all over the continent on a regular basis. The artistically elaborate Song of the Sea underlines this positive development, landing a nomination for Best Animated Feature Film at this year's Academy Awards. Fabian Erlinghaeuser (Animation Supervisor at Cartoon Saloon) enlightens the FMX audience on the animation production of Song of the Sea across five different European Studios in countries such as Ireland, Denmark, Belgium, Luxembourg and France, with Ireland being the hub. As both Assistant Director and Animation Supervisor, Erlinghaeuser supervised the pre-production aspects of character posing and character animation. In addition, Tom Barnes (Head of Camera and Post Production at Aardman Features) explains the hurdles that had to be overcome to successfully realize the British production Shaun the Sheep Movie that was released at the beginning of this year. Shaun the Sheep Movie is a stop-motion animated comedy film based on the popular Shaun the Sheep television series, a spin-off from Wallace and Gromit.

Digital Humans in the Virtual Humans Forum

The Virtual Humans Forum returns to FMX this year with Mike Seymour, Co-Founder of &, whose expertise and research using interactive real-time photo real faces in new forms of Human Computer Interfaces informs his curatorial efforts. The track offers insights into two aspects: best practices and future learnings with regard to the use of digital humans in previz technology as well as non-VFX-related realms. During the first part with its focus on best practices examples of advanced skin and face rendering are being showcased, during the second real-time interactive part the latest research of highly interactive faces that are a step well beyond what is possible today is being presented and discussed.


Press Release #1 (pdf): <media 4898 - - "TEXT, FMX 2015 - Pressemitteilung 1, FMX_2015_-_Pressemitteilung__1.pdf, 44 KB">German</media> / <media 4899 - - "TEXT, FMX 2015 - Press Release 1, FMX_2015_-_Press_Release__1.pdf, 43 KB">English</media> Press Release #2 (pdf): <media 4940>German</media> / <media 4941>English</media>

FMX is funded by the Ministry of Science, Research and Arts and the Ministry of Economic Affairs, Labour and Housing of the State of Baden-Wuerttemberg, the City of Stuttgart and MFG Baden-Wuerttemberg, taking place in cooperation with the VES Visual Effects Society and ACM SIGGRAPH. FMX is an event by the Filmakademie Baden-Wuerttemberg, organized by Animationsinstitut, hosting the Animation Production Days (APD), a joint venture with the Stuttgart International Festival of Animated Film (ITFS).

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